• Meeting the Tower 

  Evans, Mary (University of Oregon, 2023)

  The wheel of change spins, creating cylindrical space like a slow-moving tornado in which we reside in the center. It collapses in on itself. Memory creates the shape of a spiral thrust forward into the future, mimicking ...
• RICE, a queer yellow fantasy 

  Zeng, William (University of Oregon, 2023-06)

  This text is an accompaniment towards a terminal creative project, RICE, a queer yellow fantasy, and describes the sociopolitical and cultural histories that my artistic practice is engaged in. This paper traces the three ...
• Memory of Returns 

  Gutnik, Anastasiya (University of Oregon, 2023-06)

  I always wanted to carry my mother’s family name Vodonos, which translates to water bearer in Russian. Harkening back to generations that came before me, the name traces the labor of walking which provided this essential ...
• Permeable Boundaries 

  Peña, David (University of Oregon, 2023-06)

  Permeable boundaries is an intimate reflection of the past to understand the present — a contemplation of embedded histories, family, memory, grief, and borders. Coming from a geographical borderland between the westernmost ...
• How Do the Visible Hide? A Report on Marginal Identity 

  Brennan, Lily Wai (University of Oregon, 2023-06)

  How does one hide from the world when you walk through it observed like an animal in a zoo? Meandering through a childhood sited in a rural, conservative, white community, I was continuously faced with nonconsensual moments ...
• [Title not provided] 

  Clarke, Kara (University of Oregon, 2023-06)

  feminism and gender studies
• Good Humor 

  Walot, Doran (University of Oregon, 2020)
• Pseudo-well: A Dilemmatic Aura of Modernity in the west and the non-west 

  Zhang, Junwei (University of Oregon, 2020)

  My project Pseudo-well is an extension of my previous work A Well. Back then I only had a vague plan to address the disconnectedness of individual and our globalized space by using the round shape of a tire and the depth ...
• I’m not here; this isn’t happening. 

  Talaei, Elnaz (University of Oregon, 2020)
• Latent Interiors: Memory, Environment, and the Body 

  Molloy, Ian Sherlock (University of Oregon, 2021)
• The Center for Investigation of Land Mass Agency (CILMA):ON CARE + ENTANGLEMENT: BECOMING THE CENTER FOR INVESTIGATION OF LAND MASS AGENCY 

  EVANS, EDEN VITA (University of Oregon, 2021)

  The Center for Investigation of Land Mass Agency (CILMA), is a field study project that activates the natural landscape to investigate care, thing-power and land use. Through site-specific experimentation and ritual ...
• There’s A Dog In My House And Some Dogs In My Head 

  Bodenhamer, Devon (University of Oregon, 2021)

  I create installations that use humor and the visual language of the domestic space to disarm and analyze emotional discomfort in order to create a more whole sense of self. The work invites those who choose to participate ...
• flesh pixels, post perfect 

  Anderson, Claire (University of Oregon, 2021)
• Hinterland 

  Turner, Caroline (University of Oregon, 2021)

  Hinterland is a proposition; a speculative state of being - a conspiracy. It is an arch, a gate, and a portal; congealing time and collapsing itself into the present. A hinterland is typically thought of as the less ...
• hyperclap shibboleth queer tool 

  Reckling, Tannon (University of Oregon, 2021-06)
• Toggling toward expression: discursive communications, continual recalibrations 

  Yahner, Carol (University of Oregon, 2022)

  Artist locates her work between subjective and objective forms of thought, contextualizing works within contemporary art making and somatic practices. Studio methodologies are discussed in which the artist toggles between ...
• BEING MADE AND MAKING IN THE RUACH OF GOD 

  Roemen, Marshall (University of Oregon, 2005-06-11)
• the future is flaccid 

  Stoll, Tyler (2022-06)

  This text focuses on the relationship between my thesis exhibition and a manifesto I have written, both of which are titled "the future is flaccid." The manifesto proposes “flaccidity” as a radical embodiment and tool to ...
• end of magnolia season 

  Petkau, Hannah (2022)

  Drawing is a balancing act of reality and fiction. Line and form are markers, representative of space and experience, a record of things tangible and ephemeral. There is the capacity for a linear trajectory but it can be ...
• Hallow | Hollow 

  Lichucki, Caroline (2022)

  My practice finds roots that extend towards the transient, the mundane, and the chthonic. I am informed by my training in traditional forms of drawing, painting, and sculpture. This foundation lays the framework for images ...

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