Aguayo, Anthony2022-07-282022-07-282022-05https://hdl.handle.net/1794/27467168 pagesIn this document, I will discuss a broad spectrum of topics ranging from biographical information on the composer, analyses and performance guides for the works being discussed, and the presence of traditional Mexican, Cuban, and Brazilian idioms within each movement of Eduardo Gamboa’s Concierto para Clarinete. Gaps in the extant literature exist in relation to my immediate topic, the idioms as related to Eduardo Gamboa and their presence within his music.enCreative Commons BY-NC-ND 4.0-USMusicClarinetMexican CultureCuban CultureThesis / Dissertation