Uchida, Rika2018-01-192018-01-192004-03https://hdl.handle.net/1794/23020230 pagesClaude Debussy’s Pour les Sonorités opposées from Douze Études presents the composer’s new language and experimentations for the keyboard. This lecture- document presents the analysis of Pour les Sonorités opposées, a comparison of interpretations by three pianists, Walter Gieseking, Maurizio Pollini and Mitsuko Uchida, and my own interpretation. The document explores how analysis contributes to a better interpretation.enCreative Commons BY-NC-ND 4.0-USTerminal Project