Oregon Undergraduate Research Journal: Vol. 18 No. 1 (2021)

Permanent URI for this collection

https://hdl.handle.net/1794/25992
Cover art by Sophia Salter

Browse

Browsing Oregon Undergraduate Research Journal: Vol. 18 No. 1 (2021) by Author "Harden, Jordan Kalani"

Now showing 1 - 1 of 1
  • Thumbnail Image
    ItemOpen Access
    Understanding Native Hawaiian Land Relations Through Kānaka Maoli Literature
    (University of Oregon, 2021-01) Harden, Jordan Kalani
    Within a hegemonic Western discourse, Hawai‘i is largely considered an aesthetic tourist destination. It is perceived to be a vacation haven, bountiful in opportunities for real estate, commodification, and gentrification. While endeavors such as these have indeed proven to be economically prolific for the state, the profits do not directly, if even remotely, benefit the Native Hawaiians whose land continues to be seized and commodified in the name of said profits. Therefore, that dominant discourse which paints Hawai‘i as a tourist destination of great economic potential is in fact a colonialist notion, denoting Hawaiian land as public property to be seized, altered, and owned. In reality, the land that is used for expansive capitalist ventures is often seized from Native people, as has been the trend since settlers first invaded Hawai‘i. This truth is further troubling when one considers Native Hawaiian land relations and the spiritual connection that many Kānaka Maoli (Native Hawaiians) have to that land. In light of the spiritual ties that many Kānaka Maoli have to land, or 'āina, its seizure and alteration by non-Native persons is an act of colonialism against not only Kānaka Maoli homes, but also against our bodies and spirits. This spiritual and emotional connection between Kānaka Maoli and our land is deeply rooted, and it is an idea commonly expressed in contemporary Kanaka culture by the term aloha ʻāina. In understanding this sentiment, it is essential that one first understands that aloha carries a much deeper meaning than the Hawaiian “hello” and “goodbye.” Aloha connotes one’s deep love for and connection to Kanaka culture. It also signifies love for one’s neighbors, friends, and ancestors. In essence, aloha ʻāina is an expression of one’s identification with and commitment to Hawaiian land and its connected historical and cultural significance. By close reading Kanaka texts and terminology such as this, one can begin to understand the sanctity of Kanaka land relations, thereby lending to an understanding of one of the ways by which colonialism against Kānaka Maoli continues in perpetuity. In this thesis, I will investigate and discuss relationships between Kanaka bodies and ‘āina. I will do this by close reading Kanaka literature, including the Hawaiian creation mele known as the Kumulipo, the narrative and performative device that is hula, and my Auntie Betty's stories that have been passed down to me through oral storytelling. I will contextualize my findings in both historical and contemporary frames. Ultimately, I am conducting this research with the aim of contributing to existing scholarship which aims to dismantle the dominant narrative which suggests that we live in a post-colonial era. The idea that colonialism is an extinguished historical event is a dangerous and false misconception that allows for the perpetuation of the discriminatory maltreatment of marginalized Indigenous communities and cultures. This discrimination is enacted in countless ways, including but in no way limited to the seizure of Kānaka Maoli lands. It is my hope that this research will encourage any and all readers to continue to learn about Kanaka Maoli and other Native cultures, and that this endeavor for further knowledge will lead to advocacy on behalf of, and greater reverence toward Native people, narratives, and knowledge.