Papers on Power
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Browsing Papers on Power by Author "Center for Art Research, University of Oregon"
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Item Open Access Between Sunlight and Shadow: Transvocality as Talmudic Process(2021) Green, Nicki; Center for Art Research, University of OregonItem Open Access Biting the Hand That Feeds You(2021) Werbel, Libby; Center for Art Research, University of OregonItem Open Access The Crazy Pineapple(2021) Tobier, Nick; Center for Art Research, University of OregonItem Open Access Dismantling the House: Before and After Thoughts(2021) Amir, Yaelle S.; Center for Art Research, University of OregonAn un-articulate list of select random, sometimes foggy thoughts taken from a ‘power journal’ I kept while developing the series of programs Dismantling the House for CFAR (winter 2020 to spring 2021).Item Open Access Every Day Is for the Thief(2021) Koiki, Bukola; Center for Art Research, University of OregonItem Open Access The Future of Work is Collective Organizing(2021) Precarious People's Party; Center for Art Research, University of OregonA conversation organized by Jea Alford & Ariana Jacob with Susan Cuffaro, Sean Cumming, Brian Dolber, Hannah Gioia, Anna Gray, Patricia Vázquez Gómez, Cat Hollis, Anna Neighbor, Larissa Petrucci, Emmett Schlenz, and Lise Soskolne.Item Open Access Juneteenth(2021) Campbell, Crystal Z.; Center for Art Research, University of OregonItem Open Access Language Game #1(University of Oregon, 2021) Center for Art Research, University of Oregon; Abreu, Manuel ArturoI unyoke the issue of real and fake from the artificial, post-Enlightenment European context of ‘art’ to look at the prehistory, which is theological and entheogenic in nature. I first discuss Sylvia Wyner’s notion of auto-institutionality with respect to mind; I then discuss Abrahamic literalism; finally, I situate the ancients’ respect for visionary-driven consciousness within the larger frame of governance of such consciousness. That is, even though the moderns lost knowledge of the mysteries, the ancients aren’t so different from us, different societies simply control access to consciousness altering goods in different ways. Why are these resources so tightly controlled?Item Open Access Making After Melancholia(2021) Imatani, Garrick; Center for Art Research, University of OregonThis public conversation was held on April 18, 2021 in conjunction with Garrick Imatani’s CFAR exhibition, monologue. The artists discussed the nuanced ways in which their identity figures into their work—looking at compounded layers of representation, cultural expectation vs. lived experience, and the futurist contexts in which their work as Asian American makers might be seen in the midst of increased national violence. The following excerpts have been edited for clarity, length and readability.Item Open Access A Partial Glossary, for Visiting the Lichen Museum(2021) Palmer, A. Laurie; Center for Art Research, University of OregonThe Lichen Museum considers this slow, resistant, adaptive and collective organism as an anti-capitalist companion and climate change survivor. This glossary is a living text that pulls quotes and excerpts from that work-in-progress.Item Open Access The Place in Which I Fit Will Not Exist Until I Make It(2021) Hutchins, Jessica Jackson; Center for Art Research, University of OregonItem Open Access Untitled(2021) Zuckerman-Hartung, Molly; Center for Art Research, University of OregonItem Open Access We're Out of Control(2021) Thakur, Garima; Towne, Sharita; Center for Art Research, University of Oregon