The Piano Sonata in Costa Rica

dc.contributor.advisor
dc.contributor.authorJorge Manuel, Briceño González
dc.date.accessioned2021-01-06T00:04:17Z
dc.date.available2021-01-06T00:04:17Z
dc.date.issued2020-05
dc.description143 pagesen_US
dc.description.abstractAlthough academic papers and dissertations on Costa Rican music are not completely uncommon, only a handful focus on piano music. The purpose of this document is to provide an overview of the sonata genre in the Costa Rican piano literature. Even though piano music has been written in Costa Rica since the end of the nineteenth century, the first piano sonata was not written until 1965. There are only six composers – five of them living – that have written at least one sonata for piano, and only one of these sonatas has been published. In this document, I provide an overview of one piano sonata by each of the Costa Rican composers that have written in this genre. This work is divided into two parts. The first part aims to provide more context on the history of Costa Rican piano music. The second part includes a biographical sketch of each composer, an overview of the elements of their musical style, and an overview of the form, structure, and musical language in the selected piano sonata.en_US
dc.identifier.urihttps://hdl.handle.net/1794/25978
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectCosta Rican Musicen_US
dc.subjectLatin American Musicen_US
dc.subjectPiano sonataen_US
dc.subjectPiano musicen_US
dc.subjectPiano literatureen_US
dc.titleThe Piano Sonata in Costa Ricaen_US
dc.typeTerminal Projecten_US

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