Sea Change: Japan's New Wave of Female Film Directors

dc.contributor.advisorBrown, Stevenen_US
dc.contributor.authorLaird, Colleenen_US
dc.date.accessioned2013-07-11T19:59:09Z
dc.date.issued2013-07-11
dc.description.abstractSince the mid-2000s, there has been a significant increase in female directors in Japan. Organized around the central feature of this emerging wave, this dissertation is a multifaceted project that combines historical research with reception studies, industry studies, gender studies, and formal analysis of films and marketing paratexts. In exploring the connections between film production, reception, exhibition, and auteur personas, I argue that the recent emergence of women into commercial cinema is fueled by gendered marketing tactics that seek to target contemporary female consumers. This focused gendering of auteur, product, exhibition space, and presumed spectator is changing the landscape of cinema in Japan, a process some refer to as "feminization." My dissertation rethinks the history of Japanese cinema with regards to the relationship between filmmakers as gendered bodies, distribution companies and marketing as patriarchal power structures, and the capital wielding demographic of female spectators as influential, but often neglected, consumers.en_US
dc.description.embargo2015-07-11
dc.identifier.urihttps://hdl.handle.net/1794/12973
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectCinemaen_US
dc.subjectFemale Audiencesen_US
dc.subjectFemale Directorsen_US
dc.subjectJapanen_US
dc.subjectParatextsen_US
dc.subjectReception Studiesen_US
dc.titleSea Change: Japan's New Wave of Female Film Directorsen_US
dc.typeElectronic Thesis or Dissertationen_US
thesis.degree.disciplineDepartment of East Asian Languages and Literaturesen_US
thesis.degree.grantorUniversity of Oregonen_US
thesis.degree.leveldoctoralen_US
thesis.degree.namePh.D.en_US

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