end of magnolia season
| dc.contributor.author | Petkau, Hannah | |
| dc.date.accessioned | 2022-07-28T19:56:45Z | |
| dc.date.available | 2022-07-28T19:56:45Z | |
| dc.date.issued | 2022 | |
| dc.description | 20 pages | en_US |
| dc.description.abstract | Drawing is a balancing act of reality and fiction. Line and form are markers, representative of space and experience, a record of things tangible and ephemeral. There is the capacity for a linear trajectory but it can be elusive: coalescing and cycling through states at once concrete but also synthetic. Shifts in actuality or factuality occur from the inevitable slips and lapses of translation as a line and form is drawn and repeatedly redrawn, altered a little bit in each iteration. An indeterminate looping of degradative and generative processes, a never ending cycle. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/27477 | |
| dc.language.iso | en | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.subject | MFA | en_US |
| dc.subject | Dutch Still-Life | en |
| dc.subject | Floral Still Life | en |
| dc.subject | The Open Work | en |
| dc.subject | The Blue of Distance | en |
| dc.subject | cyanotypes | en |
| dc.subject | drawing | en |
| dc.subject | still life | en |
| dc.subject | magnolias | en |
| dc.title | end of magnolia season | en_US |
| dc.type | Thesis / Dissertation | en_US |