Pozzo’s Perspective: Visual Hagiography in the Church of St. Ignatius, Rome

dc.contributor.authorMurphy, John Paul
dc.date.accessioned2006-03-27T14:55:33Z
dc.date.available2006-03-27T14:55:33Z
dc.date.issued2005
dc.descriptionSubmitted to the Undergraduate Library Research Award scholarship competition: 2005. Awarded a first-place scholarship. 18 p. Paper versions also available for check out or consultation in the University of Oregon's library, under the call number: ND623.P83 M87 2005. Images removed from digital file.en
dc.description.abstractThe Order of the Society Jesus was among the foremost creators and commissioners of Counter-Reformation Baroque art. Founded in 1534 by St. Ignatius of Loyola, the Jesuits came to be regarded as one of the most potent forces of the Counter-Reformation, due at least in part to the order’s high visibility through their worldwide network of building projects. Part of art history’s continuing fascination with the Jesuits involves the controversial search for a “Jesuit Style” of art, an approach to image production that is immediately identifiable as Jesuitical. Though a thorough discussion of the Jesuit style is outside the limits of this paper, the Jesuit worldview (including the Jesuit perception of the role of art) is central to interpreting how artists were employed in constructing Jesuit self-identity. Nowhere is this process of identity-construction more apparent than in The Church of St. Ignatius in Rome, built to celebrate both Ignatius and the active ministry of his order throughout the globe.en
dc.format.extent279422 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.urihttps://hdl.handle.net/1794/2504
dc.language.isoen_USen
dc.publisherUniversity of Oregonen
dc.subjectPozzo, Andrea, 1642-1709en
dc.subjectJesuit art -- Italy -- Romeen
dc.subjectChurch decoration and ornament -- Italy -- Romeen
dc.subjectArt, Baroque -- Italy -- Romeen
dc.titlePozzo’s Perspective: Visual Hagiography in the Church of St. Ignatius, Romeen
dc.typeArticleen

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