War of the Scorpion
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Date
2024-08-07
Authors
Daniels, Brylee
Journal Title
Journal ISSN
Volume Title
Publisher
University of Oregon
Abstract
The Liberian Civil Wars, spanning from 1989 to 2003, represent some of the mostdevastating conflicts in recent African history, dismantling the socio-political fabric of Liberia
and leaving a profound impact on the nation's collective psyche. This composition, "War of the
Scorpion," written to commemorate the 20th anniversary of the end of the second war, employs
various experimental techniques to capture the wars' essence. The piece is structured in three
movements, each symbolizing different aspects of the conflict. The first movement,
"Foundations," juxtaposes elements of Liberia's cultural heritage with the uneasy peace of its
founding by freed American slaves, using a bassoon soloist playing only on their bocal to evoke
a sense of underlying tension. The second movement, "The First War," depicts Taylor's
Christmas Eve attack on Monrovia, integrating "O Holy Night," the sound of a death whistle, and
the breaking of stained glass to symbolize the St. Peter's Lutheran Church massacre. The final
movement encapsulates the despair of the second war, with ensemble members repeatedly
vocalizing Taylor's campaign slogan, "He killed my ma, he killed my pa, but I will still vote for
him," building from a whisper to a shout to reflect the psychological turmoil of the Liberian
people. This piece aims to both memorialize the victims and educate audiences on the complex
history of the Liberian Civil Wars, urging performers and listeners alike to approach the subject
with respect and sensitivity, while recognizing the resilience and hope of the Liberian people.
Description
Keywords
Charles Taylor, Civil War, Liberia, Scorpion