Default Blue and Cleansing Light
| dc.contributor.author | Wood, Natalie | |
| dc.date.accessioned | 2018-06-27T00:31:01Z | |
| dc.date.available | 2018-06-27T00:31:01Z | |
| dc.date.issued | 2018 | |
| dc.description | 28 pages | en_US |
| dc.description.abstract | While employed as a custodian, I developed a detailed knowledge of the building I cleaned – where to find hidden outlets, dusty crevices, and secret doors to air duct chambers. As an artist who works site-specifically, I gain an understanding of a space in a similar manner as a custodian by projection-mapping and arranging objects in accordance with the edges and cracks of the space. Through this process, I am looking for and caring about the overlooked bits and unnoticed features. I cherish the banal and seek to transform the ordinary into the extraordinary. In this thesis paper, I explore the relationship between my roles as a custodian and artist, examine my process of producing work, and discuss my treatment of materials. I am building on a history of color theory, site-specific installation, and the use of found objects and video. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/23306 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Oregon | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.subject | Default blue | en_US |
| dc.subject | Color theory | en_US |
| dc.title | Default Blue and Cleansing Light | en_US |
| dc.type | Terminal Project | en_US |