Massenet's Thaïs: A Comparison Between the Stagings in the Livret de Mise en Scène F-Pbh T 8 (1) and the Metropolitan Opera's 2008 Production

dc.contributor.advisorSmith, Marianen_US
dc.contributor.authorAntoinette, Aliciaen_US
dc.date.accessioned2013-07-11T19:59:21Z
dc.date.available2013-07-11T19:59:21Z
dc.date.issued2013-07-11
dc.description.abstractThe evidence found through comparing and contrasting staging manuals strongly suggests that Massenet might have been involved in the staging of his operas. Several important differences, which include the implications of the use of a chair versus a bed in the final scene, are presented through a comparison of the final duet of Massenet's Opera Thaïs in a restaging from the livret de mise en scène F-Pbh T 8 (1) with the Metropolitan Opera's 2008 production. In addition, a probable date between the premiere in 1894 and the revision in 1898 for the livret de mise en scène F-Pbh T 8 (1) is deliberated. Three staging manuals for Thaïs are examined, which were found to contain the same information, and these findings are contrasted with four staging materials for Massenet's opera Manon and several other staging materials for works by various composers.en_US
dc.identifier.urihttps://hdl.handle.net/1794/12974
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectLivret de mise en sceneen_US
dc.subjectMasseneten_US
dc.subjectMise en sceneen_US
dc.subjectOperaen_US
dc.subjectStagingen_US
dc.subjectThaisen_US
dc.titleMassenet's Thaïs: A Comparison Between the Stagings in the Livret de Mise en Scène F-Pbh T 8 (1) and the Metropolitan Opera's 2008 Productionen_US
dc.typeElectronic Thesis or Dissertationen_US
thesis.degree.disciplineSchool of Music and Danceen_US
thesis.degree.grantorUniversity of Oregonen_US
thesis.degree.levelmastersen_US
thesis.degree.nameM.A.en_US

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