Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s (Introduction)
| dc.contributor.author | Boos, Sonja | |
| dc.date.accessioned | 2023-07-25T23:46:32Z | |
| dc.date.available | 2023-07-25T23:46:32Z | |
| dc.date.issued | 2020 | |
| dc.description | 12 pages | en_US |
| dc.description.abstract | Introduction to Volume 12 of Konturen. | en_US |
| dc.identifier.citation | Boos, S. (2022). Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s. Konturen, 12, 1–12. https://doi.org/10.5399/uo/konturen.12.0.4912 | en_US |
| dc.identifier.doi | https://doi.org/10.5399/uo/konturen.12.0.4912 | |
| dc.identifier.uri | https://hdl.handle.net/1794/28571 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Oregon | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.subject | intro | en_US |
| dc.title | Feminism, Theory, Film: Critical Intersections in the Practice and Theorization of Experimental Filmmaking since the 1970s (Introduction) | en_US |
| dc.type | Article | en_US |