Drawing Lines: From Kernberg and Haraway to Lacan and Beyond

datacite.nameIdentifier10.5399/uo/konturen.3.1.1381
dc.contributor.authorMacCannell, Juliet Flower
dc.date.accessioned2019-02-05T23:12:44Z
dc.date.available2019-02-05T23:12:44Z
dc.date.issued2010
dc.description24 pagesen_US
dc.description.abstractThis paper reviews the key concepts underlying the diagnosis of “borderline personality disorder” as exemplified in the work of Otto Kernberg. It looks both to history and philosophy (Rousseau), to social thought (Erving Goffman) and to psychoanalysis (Deutsch, Freud, Lacan) to show the limitations and problems with the diagnosis. It also looks at later cultural developments attacking the idea of limits and ‘borders’ (e.g, Haraway refusal of metaphoric distinctions among human-animal-machine) as having their own vexed psychoanalytic profile. The paper concludes with strong speculation about the reasons humans, and humans alone, draw lines.en_US
dc.identifier.citationMacCannell, J. (2010). Drawing Lines : from Kernberg and Haraway to Lacan and Beyond. Konturen, 3(1), 63-86. doi:http://dx.doi.org/10.5399/uo/konturen.3.1.1381en_US
dc.identifier.doi10.5399/uo/konturen.3.1.1381
dc.identifier.issn1947-3796
dc.identifier.urihttps://hdl.handle.net/1794/24315
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.titleDrawing Lines: From Kernberg and Haraway to Lacan and Beyonden_US
dc.typeArticleen_US

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