Dissociation : Vol. 2, No. 3, p. 132-137 : Breaking the code: identification of multiplicity through art productions

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dc.contributor.authorCohen, Barry M.
dc.contributor.authorCox, Carol Thayer
dc.date.accessioned2005-10-07T16:29:14Z
dc.date.available2005-10-07T16:29:14Z
dc.date.issued1989-09
dc.descriptionp. 132-137en
dc.description.abstractThe authors organized the art productions of clients diagnosed as suffering multiple personality disorder into ten basic categories reflecting thematic, structural, and process elements. These categories were derived from the study of nearly two thousand pictures drawn over a period of nine years. Designed to aid therapists in the identification of multiplicity, these categories can also be used as a framework to help therapists understand the spontaneous artwork of multiples.en
dc.format.extent619912 bytes
dc.format.mimetypeapplication/pdf
dc.identifier.issn0896-2863
dc.identifier.urihttps://hdl.handle.net/1794/1491
dc.language.isoen_USen
dc.publisherRidgeview Institute and the International Society for the Study of Multiple Personality and Dissociationen
dc.titleDissociation : Vol. 2, No. 3, p. 132-137 : Breaking the code: identification of multiplicity through art productionsen
dc.title.alternativeBreaking the code: identification of multiplicity through art productionsen
dc.typeArticleen

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Dissociation : Vol. 2, No. 3 (Sept. 1989)