Melodic Inversion in J. S. Bach's Keyboard Suites
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Date
2008-06
Authors
Linsley, Dennis Edward, 1975-
Journal Title
Journal ISSN
Volume Title
Publisher
University of Oregon
Abstract
The use of melodic inversion in the second reprises of Bach's keyboard suites is
commonly acknowledged. However, no published account gives a detailed explanation of
the context-driven nature of such inversion. After discussing the general characteristics of
inversion in the English Suites, French Suites, and Partitas, I develop a methodology that
describes inverted subjects as transformations of the original subject using three criteria:
(1) a scale-degree axis of inversion, (2) a diatonic or chromatic transposition level, and
(3) a narrowly-defined but flexibly-applied list of modifications. The application of the
method to the opening of each reprise in selected allemandes and courantes reveals
salient aspects of Bach's treatment of inverted subjects. A complete analysis of the
Allemande from the English Suite in G minor deepens our understanding of Bach's
practice by showing how subjects are treated flexibly, and how they can be used in the
service of larger goals across an entire piece.
Description
xiv, 113 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.