CultureWork ; Vol. 13, No. 04
| dc.contributor.author | Pennell, Summer Melody | |
| dc.contributor.author | Slavick, Elin O'Hara | |
| dc.contributor.author | DeGuzmán, María | |
| dc.contributor.editor | Voelker-Morris, Julie L. | |
| dc.contributor.editor | Voelker-Morris, Robert J., 1969- | |
| dc.date.accessioned | 2009-10-30T22:34:51Z | |
| dc.date.available | 2009-10-30T22:34:51Z | |
| dc.date.issued | 2009-10 | |
| dc.description | 18 p. | en_US |
| dc.description.abstract | Creating & Performing Pinang & Ayu: A Love Story A Lesbian Shadow-Puppet Performance: I fell in love with wayang kulit (Indonesian shadow-puppet theater) in Jan Mrázek’s art history class in 2003. This love led to my own performance, 6 years later, as a graduate student at the University of Oregon. On May 7th, 2009 I performed Pinang and Ayu: A Love Story, for my Folklore MA. The performance was largely collaborative, as I was working with Gamelan Sari Pandhawa of Eugene, OR, and I owe director Qehn considerable thanks for his guidance. The creative and learning processes, and of course the performance itself, were unforgettable experiences -- The Bailout Biennial (January 15 until April 15, 2009): How can and do we respond to the economic, political, and social world around us as artists at a time of heightened frenzy and pending doom? Can art shed some light on the current situation or poke some holes in the dull screen of it all? | en_US |
| dc.identifier.issn | 1541-938X | |
| dc.identifier.uri | https://hdl.handle.net/1794/9897 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Institute for Community Arts Studies, Arts & Administration Program, University of Oregon | en_US |
| dc.subject | CultureWork | |
| dc.title | CultureWork ; Vol. 13, No. 04 | en_US |
| dc.title.alternative | The Bailout Biennial (January 15 until April 15, 2009) | en_US |
| dc.title.alternative | Creating & Performing Pinang & Ayu: A Love Story A Lesbian Shadow-Puppet Performance | en_US |
| dc.type | Article | en_US |