Piano Concerto

dc.contributor.advisorCrumb, Daviden_US
dc.contributor.authorWong, Kei Hongen_US
dc.date.accessioned2014-09-29T17:42:17Z
dc.date.available2014-09-29T17:42:17Z
dc.date.issued2014-09-29
dc.description.abstractThis thirteen-minute concerto explores the concept of the "third-stream" style, a genre prevalent from the early twentieth century onward that explores the fusion of classical and the popular idioms. The piano writing, especially in the cadenza, is greatly influenced by George Gershwin's Piano Concerto in F, one of the most representative works in this style due to its jazzy syncopated rhythms and romantic pianistic writing. In addition to the traditional orchestral instrumentation, this piece includes several drum set solos, recalling some of the percussive passages from Leonard Bernstein's West Side Story, a musical theater work evoking jazz and Latin styles. This piece also draws influence from the contemporary group Bad Plus Trio, embracing the avant-garde jazz style apparent in 1972 Bronze Medalist from the album "These Are the Vistas."en_US
dc.identifier.urihttps://hdl.handle.net/1794/18334
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectCompositionen_US
dc.titlePiano Concertoen_US
dc.typeElectronic Thesis or Dissertationen_US
thesis.degree.disciplineSchool of Music and Danceen_US
thesis.degree.grantorUniversity of Oregonen_US
thesis.degree.levelmastersen_US
thesis.degree.nameM.M.en_US

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