Mystical and Evangelical Reform in Tintoretto's Sala dell'Albergo

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dc.contributor.authorMcFaddin, Read Godard, 1984-
dc.date.accessioned2009-10-22T22:43:10Z
dc.date.available2009-10-22T22:43:10Z
dc.date.issued2009-06
dc.descriptionxiii, 142 p. : ill. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.en_US
dc.description.abstractTintoretto's four-painting Passion cycle in the Sala dell'Albergo of the Scuola Grande di San Rocco in Venice has generated dramatic and affective responses from artists and critics since its completion in the late 1560s. While scholars have addressed the cycle's formal qualities that stimulate such responses, the context surrounding the cycle has not been fully explored. The city was a refuge for reformers and the printing center for potentially heretical writing in the sixteenth century. Tintoretto maintained relationships to members of the reformist poligrafi, and the Passion cycle responds to the mystical theologies propagated in widely disseminated works from Ignatius of Loyola's officially sanctioned treatise, Spiritual Exercises, to the more controversial work of Don Benedetto and Marcantonio Flaminio, the Beneficio di Cristo. This thesis constructs a strong relationship between Tintoretto' s work in the Sala dell'Albergo and contemporary mystical and evangelical reformative theology and activity in the city.en_US
dc.description.sponsorshipCommittee in Charge: Dr. James G. Harper, Chair; Dr. Lauren G. Kilroy; Dr. Kate Mondlochen_US
dc.identifier.urihttps://hdl.handle.net/1794/9880
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.relation.ispartofseriesUniversity of Oregon theses, Dept. of Art History, M.A. 2009;
dc.subjectTintoretto, 1518-1594 -- Criticism and interpretationen_US
dc.titleMystical and Evangelical Reform in Tintoretto's Sala dell'Albergoen_US
dc.typeThesisen_US

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