Art, Devotion, and the Utility of Sight in the Carolingian Church

dc.contributor.advisorLachman, Charlesen_US
dc.contributor.authorKoel, Jordanen_US
dc.date.accessioned2014-09-29T17:38:35Z
dc.date.available2014-09-29T17:38:35Z
dc.date.issued2014-09-29
dc.description.abstractThis thesis is an exploration of Carolingian art within the context of religious devotion. The second chapter investigates the theoretical aspects related to the use of images by examining historical sources. These texts offer insight both into the types of anxieties images raised as well as contemporary attempts to reconcile these concerns. In order to determine how these theories were put into practice, the third chapter considers the manners in which the visual experience was orchestrated. To do so, shrines and reliquaries, as well as textual accounts describing encounters with them, are used to explore the messages that religious art conveyed and the means by which they did so. The fouirth chapter focuses on the figure of the maker of sacred art. The theories of religious art and implementation of them, as discussed in Chapters II and III, fundamentally relied on the craftsman who fashioned them.en_US
dc.identifier.urihttps://hdl.handle.net/1794/18309
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectArs sacraen_US
dc.subjectCarolingianen_US
dc.subjectJonas of Orléansen_US
dc.subjectReliquariesen_US
dc.subjectSaintsen_US
dc.subjectSmithen_US
dc.titleArt, Devotion, and the Utility of Sight in the Carolingian Churchen_US
dc.typeElectronic Thesis or Dissertationen_US
thesis.degree.disciplineDepartment of the History of Art and Architectureen_US
thesis.degree.grantorUniversity of Oregonen_US
thesis.degree.levelmastersen_US
thesis.degree.nameM.A.en_US

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