Burning Woman: Sexualized Robots and the Vilification of Women in Metropolis and its Precursors

dc.contributor.authorGrove, Cassian
dc.date.accessioned2021-07-22T18:30:14Z
dc.date.available2021-07-22T18:30:14Z
dc.date.issued2021-06
dc.description.abstractThe vilification and subsequent destruction of feminine robots is a surprisingly common trope in film and literature. This essay draws connections between three very different works—Fritz Lang’s Metropolis, Villier’s Tomorrow’s Eve, and E.T.A. Hoffman’s The Sandman—and posits a shared narrative reason for the deaths of the three artificial women: male projection. Comparing and contrasting the three death scenes with each other as well as other texts on feminine literature and projection demonstrates how little substance there is to these “out of control” women/technologies beyond the faults of the men who create them. Furthermore, this essay brings up a prudent question: could these artificial women have become something more if it were not for the displaced guilt and projected egos of the men around them?en_US
dc.identifier.doidoi:10.5399/uo/ourj.19.1.3
dc.identifier.issn2160-617X
dc.identifier.urihttps://hdl.handle.net/1794/26390
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BYen_US
dc.subjectMetropolisen_US
dc.subjectFritz Langen_US
dc.subjectTomorrow's Eveen_US
dc.subjectAuguste Villiers de l'Isle-Adamen_US
dc.subjectThe Sandmanen_US
dc.subjectE T A Hoffmanen_US
dc.subjectrobotsen_US
dc.subjectfeminismen_US
dc.subjectwomenen_US
dc.titleBurning Woman: Sexualized Robots and the Vilification of Women in Metropolis and its Precursorsen_US
dc.typeArticleen_US

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