Revolutionary Theatricality: Dramatized American Protest, 1967-1968

dc.contributor.authorRothman, Angela
dc.date.accessioned2016-06-23T18:35:57Z
dc.date.available2016-06-23T18:35:57Z
dc.date.issued2016
dc.description27 pagesen_US
dc.description.abstractAmerican protest against the establishment grew between the years 1967 and 1968 because dramatic aspects of rebellion manifested in theatrical methods. Prominent examples of these protests were the San Francisco Mime Troupe, the production of Paradise Now by the Living Theatre, the Broadway cast production of the musical Hair, and the Festival of Life by the Yippie movement at the Chicago Democratic National Convention. During this intense period of domestic conflict, these activists embraced theatrical revolutions of radical theater as visible forms of protest.en_US
dc.identifier.urihttps://hdl.handle.net/1794/19957
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectSan Francisco Mime Troupeen_US
dc.subjectThe Living Theatreen_US
dc.subjectHairen_US
dc.subjectrock musicalen_US
dc.subjectYippie Festival of Lifeen_US
dc.subjectChicago Democratic National Conventionen_US
dc.subjectDavis, R. G.en_US
dc.subjectBeck, Julianen_US
dc.subjectMalina, Judithen_US
dc.subjectHoffman, Abbieen_US
dc.titleRevolutionary Theatricality: Dramatized American Protest, 1967-1968en_US
dc.typeOtheren_US

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