Not Dead but Sleeping: Resurrecting Niccolò Menghini's Santa Martina

dc.contributor.advisorHarper, James
dc.contributor.authorPhillips, Caroline
dc.date.accessioned2018-09-06T22:00:03Z
dc.date.issued2018-09-06
dc.description.abstractNiccolò Menghini’s marble sculpture of Santa Martina (ca. 1635) in the Church of Santi Luca e Martina in Rome belongs to the seventeenth-century genre of sculpture depicting saints as dead or dying. Until now, scholars have ignored the conceptual and formal concerns of the S. Martina, dismissing it as derivative of Stefano Maderno’s Santa Cecilia (1600). This thesis provides the first thorough examination of Menghini’s S. Martina, arguing that the sculpture is critically linked to the Post-Tridentine interest in the relics of early Christian martyrs. The disjunction between the sculpture’s severed head and seemingly living body reinforces the authority of Pietro da Cortona’s 1634 discovery of St. Martina’s relics beneath the old Church of SS. Luca e Martina. The detached and moveable head (rarely seen in early modern sculpture) evokes associations with cephalophory and inventively implies that St. Martina was somehow miraculously involved in the recovery of her own relics.en_US
dc.description.embargo2020-09-06
dc.identifier.urihttps://hdl.handle.net/1794/23787
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsAll Rights Reserved.
dc.subjectCounter-Reformationen_US
dc.subjectNiccolò Menghinien_US
dc.subjectRelicsen_US
dc.subjectSculptureen_US
dc.subjectSevered headen_US
dc.subjectSt. Martinaen_US
dc.titleNot Dead but Sleeping: Resurrecting Niccolò Menghini's Santa Martina
dc.typeElectronic Thesis or Dissertation
thesis.degree.disciplineDepartment of the History of Art and Architecture
thesis.degree.grantorUniversity of Oregon
thesis.degree.levelmasters
thesis.degree.nameM.A.

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