The Life and Clarinet Works of Eduardo Gamboa: The Presence of Traditional Mexican and Cuban Idioms in Concierto para Clarinete

dc.contributor.authorAguayo, Anthony
dc.date.accessioned2022-07-28T18:24:41Z
dc.date.available2022-07-28T18:24:41Z
dc.date.issued2022-05
dc.description168 pagesen_US
dc.description.abstractIn this document, I will discuss a broad spectrum of topics ranging from biographical information on the composer, analyses and performance guides for the works being discussed, and the presence of traditional Mexican, Cuban, and Brazilian idioms within each movement of Eduardo Gamboa’s Concierto para Clarinete. Gaps in the extant literature exist in relation to my immediate topic, the idioms as related to Eduardo Gamboa and their presence within his music.en_US
dc.identifier.urihttps://hdl.handle.net/1794/27467
dc.language.isoenen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectMusicen_US
dc.subjectClarineten_US
dc.subjectMexican Cultureen_US
dc.subjectCuban Cultureen_US
dc.titleThe Life and Clarinet Works of Eduardo Gamboa: The Presence of Traditional Mexican and Cuban Idioms in Concierto para Clarineteen_US
dc.typeThesis / Dissertationen_US

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