Debussy’s Pour les Sonorités opposées: Its Analysis and Interpretations

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Date

2004-03

Authors

Uchida, Rika

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Publisher

University of Oregon

Abstract

Claude Debussy’s Pour les Sonorités opposées from Douze Études presents the composer’s new language and experimentations for the keyboard. This lecture- document presents the analysis of Pour les Sonorités opposées, a comparison of interpretations by three pianists, Walter Gieseking, Maurizio Pollini and Mitsuko Uchida, and my own interpretation. The document explores how analysis contributes to a better interpretation.

Description

230 pages

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