Debussy’s Pour les Sonorités opposées: Its Analysis and Interpretations
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Date
2004-03
Authors
Uchida, Rika
Journal Title
Journal ISSN
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Publisher
University of Oregon
Abstract
Claude Debussy’s Pour les Sonorités opposées from Douze Études presents the composer’s new language and experimentations for the keyboard. This lecture- document presents the analysis of Pour les Sonorités opposées, a comparison of interpretations by three pianists, Walter Gieseking, Maurizio Pollini and Mitsuko Uchida, and my own interpretation. The document explores how analysis contributes to a better interpretation.
Description
230 pages