The theatricality of revivalism as exemplified in the artistry of Billy Sunday and Aimee Semple McPherson
| dc.contributor.author | Wilson, Wendy A. Danforth, 1949- | |
| dc.date.accessioned | 2009-04-02T22:19:14Z | |
| dc.date.available | 2009-04-02T22:19:14Z | |
| dc.date.issued | 1974-08 | |
| dc.description | vii, 219 p. A print copy of this title is available through the UO Libraries under the call numbers: SCA Archiv Theses W6988 | en |
| dc.identifier.uri | https://hdl.handle.net/1794/8942 | |
| dc.language.iso | en_US | en |
| dc.publisher | University of Oregon | en |
| dc.relation.ispartofseries | University of Oregon theses, Dept. of Speech, M.A., 1974; | |
| dc.title | The theatricality of revivalism as exemplified in the artistry of Billy Sunday and Aimee Semple McPherson | en |
| dc.type | Thesis | en |