The classification of language of high school choral directors

dc.contributor.authorStrauser, Matthew Lynn
dc.date.accessioned2009-01-20T23:50:03Z
dc.date.available2009-01-20T23:50:03Z
dc.date.issued2008-06
dc.descriptionxvi, 132 p. A print copy of this title is available through the UO Libraries. Search the library catalog for the location and call number.en
dc.description.abstractThe revised Bloom's cognitive taxonomy classifies thinking into ways and kinds of knowing. The ways of knowing are remember, understand, apply, analyze, evaluate, and create. The kinds of knowing are factual, conceptual, procedural, and metacognitive. Higher order thinking requires analysis, evaluation, or creation. It has been suggested that ensemble directors spend little time teaching higher order thinking and concepts. Rehearsals of six expert high school choral directors were audio-recorded at the beginning, middle and end stages of performance preparation. The directors' language was classified by type of activity. Language containing cognitive content was further categorized using the revised Bloom's taxonomy. The data were coded using audio annotation software developed by the author. The software enabled the user to hear the recorded audio, mark event locations, and add annotations. Annotations included transcribed text, coding, and comments. The software tracked event time and frequency and calculated event duration and word counts of transcribed text. Results found that student performance was 44% of rehearsal and teacher talk 47%. Teacher vocal modeling was 12% of rehearsal. Teacher talk percentages of rehearsals overall were 26% task presentation, 2.4% questioning, and 2.5% specific feedback. Cognitive content was split almost evenly between lower levels of thinking--recall, understand, apply--and higher levels--analyze, evaluate, create. Conceptual thinking occurred in 4.3% of rehearsal. Rehearsals were fast paced with average overall event durations of 6.3s. Several ways to define higher order thinking in the two-dimensional revised taxonomy are presented as are suggestions for challenging students to higher order thinking. The concept of a cognitive topography or cognitive signature is proposed as a key component for describing a director's teaching style and may have implications for teacher training and assessment.en
dc.description.sponsorshipAdviser: Harry E. Priceen
dc.identifier.urihttps://hdl.handle.net/1794/8335
dc.language.isoen_USen
dc.publisherUniversity of Oregonen
dc.relation.ispartofseriesUniversity of Oregon theses, School of Music and Dance, D.M.A., 2008;
dc.subjectSecondary educationen
dc.subjectMusic educationen
dc.subjectChoral directorsen
dc.subjectHigh schoolen
dc.subjectLanguageen
dc.subjectTeachingen
dc.subjectCognitiveen
dc.subjectChoralen
dc.subjectMusic educationen
dc.subjectMusic -- Instruction and study
dc.titleThe classification of language of high school choral directorsen
dc.typeThesisen

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