Rethinking Ambrose Patterson and Modern Art in Seattle

dc.contributor.authorKnapp, Danielle Marie, 1984-
dc.date.accessioned2010-09-01T23:40:20Z
dc.date.available2010-09-01T23:40:20Z
dc.date.issued2010-06
dc.descriptionvii, 80 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.en_US
dc.description.abstractIn 1918, Ambrose Patterson (Australian, 1877-1966) arrived in Seattle, Washington after training in Paris and working in Europe, Australia, Hawaii, and California. Patterson founded the University of Washington's School of Painting and Design and instructed in the European academic method for nearly thirty years. Traditionally considered an Impressionist and historically remembered as the first modern painter to arrive in Seattle, Patterson continued to produce work based on European conventions of modernism long after his departure from the Parisian avantgarde. Patterson's experience is demonstrative of the artistic diversity and opportunities for European-trained artists in Seattle during the early to mid-twentieth century, which have often been overshadowed by the idea of a dominant Northwest School and the emerging construction of American modernism.en_US
dc.description.sponsorshipCommittee in Charge: Dr. Joyce Cheng, Chair; Dr. Andrew Schulz; Mr. Larry Fongen_US
dc.identifier.urihttps://hdl.handle.net/1794/10666
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.relation.ispartofseriesUniversity of Oregon theses, Dept. of Art History, M.A., 2010;
dc.subjectPatterson, Ambrose, 1877-1966en_US
dc.titleRethinking Ambrose Patterson and Modern Art in Seattleen_US
dc.typeThesisen_US

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