Art Repatriation and the Use of MBRAs in Conflict Resolution

dc.contributor.authorNosiglia, Richard Robert
dc.date.accessioned2012-06-13T20:05:48Z
dc.date.available2012-06-13T20:05:48Z
dc.date.issued2012-06
dc.description153 p. Examining committee chair: Patricia Deweyen_US
dc.description.abstractThis study explores the use of MBRAs (Mutually Beneficial Repatriation Agreements) in the repatriation process of stolen art works to their original owners/ source countries of origin. The topic of cultural patrimony and stolen works of art is no longer just the subject of discussions in the museum field, but is now being played out in high profile legal battles involving museums such as the Getty Museum, the Metropolitan Museum of Art in New York, and Bostonʼs Museum of Fine Art. This study explores what obligations museums, directors, and curators have in conduct that is in keeping with the current laws and sentiments societies are demanding from cultural institutions.en_US
dc.identifier.urihttps://hdl.handle.net/1794/12222
dc.language.isoen_USen_US
dc.relation.ispartofseriesA Master’s Capstone presented to the Arts and Administration Program of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Science in Arts Management;
dc.rightsrights_reserveden_US
dc.subjectCultural patrimonyen_US
dc.subjectCultural property
dc.subjectIllicit trafficking
dc.subjectMutually beneficial repatriation agreements
dc.subjectMBRAs
dc.subjectProvenance
dc.subjectRepatriation
dc.titleArt Repatriation and the Use of MBRAs in Conflict Resolutionen_US
dc.typeOtheren_US

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