Western-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916

Simple item page
dc.contributor.advisorLin, Jenny
dc.contributor.authorKim, Sangah
dc.date.accessioned2016-11-21T16:54:27Z
dc.date.available2016-11-21T16:54:27Z
dc.date.issued2016-11-21
dc.description.abstractFrom the late nineteenth century, works inspired by Western art spread to China and Korea through Japan. Thus, Western art came to be accepted in China and Korea as a reinterpretation of Japan’s development of Western art, rather than a direct transmission from Western sources. This act of reinterpretation went on to have a lasting effect on the practice of Western-style painters in East Asia with their own acceptance modes. This thesis provides a study of self-portraits and nude paintings, two categories of painting without precedent in East Asia prior to the late nineteenth century, created by Kuroda Seiki, Li Shutong, Go Hui-dong, and Kim Gwan-ho in order to illustrate how East Asian countries established their own versions of modern art.en_US
dc.identifier.urihttps://hdl.handle.net/1794/20672
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsAll Rights Reserved.
dc.subjectAsian art historyen_US
dc.subjectGo Hui-dongen_US
dc.subjectKuroda Seikien_US
dc.subjectLi Shutongen_US
dc.subjectPan-Asianismen_US
dc.subjectTokyo School of Fine Artsen_US
dc.titleWestern-style Painting in Pan-Asian Context: The Art and Historical Legacies of Kuroda Seiki, Li Shutong, and Go Hui-dong, 1889-1916
dc.typeElectronic Thesis or Dissertation
thesis.degree.disciplineDepartment of the History of Art and Architecture
thesis.degree.grantorUniversity of Oregon
thesis.degree.levelmasters
thesis.degree.nameM.A.

Files

Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Kim_oregon_0171N_11660.pdf
Size:
68.94 MB
Format:
Adobe Portable Document Format
Download

Collections

Theses and Dissertations
History of Art and Architecture Theses and Dissertations