(Un) Forming Nature: Kurt Schwitters's Merz Barn (1947-1948)

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dc.contributor.advisorCheng, Joyce
dc.contributor.authorPounds, Megan Pounds
dc.date.accessioned2016-10-27T18:57:10Z
dc.date.available2016-10-27T18:57:10Z
dc.date.issued2016-10-27
dc.description.abstractThis thesis centers on Kurt Schwitters’s Merz Barn (1947-1948), exploring the relationship between nature and the Merz principles of formung (forming) and entformung (un-forming) within the context of this late work. The Merz Barn, the last of Schwitters’s Merzbauten, has yet to receive the extensive level of research accorded to its famous Hannover predecessor, resulting in an underdeveloped grasp of the project as a whole within Merzbau scholarship. The present study considers Schwitters’s increasing orientation towards nature as a model for artistic creation to elicit an understanding of the ways in which his paradoxical Merz formula, “Formen heißt entformeln,” evolved during his period of exile. I contend that Schwitters employed the organic processes of natural growth and decay to realize the principles of formung and entformung in his Merz Barn. Furthermore, the sculptural interior underscores the dialectical exchange between forming and un-forming, highlighting the liminal space between the opposing processes.en_US
dc.identifier.urihttps://hdl.handle.net/1794/20552
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsAll Rights Reserved.
dc.subjectArpen_US
dc.subjectExileen_US
dc.subjectMerzen_US
dc.subjectModernismen_US
dc.subjectSchwittersen_US
dc.subjectSculptureen_US
dc.title(Un) Forming Nature: Kurt Schwitters's Merz Barn (1947-1948)
dc.typeElectronic Thesis or Dissertation
thesis.degree.disciplineDepartment of the History of Art and Architecture
thesis.degree.grantorUniversity of Oregon
thesis.degree.levelmasters
thesis.degree.nameM.A.

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