Symphony No.2, "Crime in the House of Names"

dc.contributor.author	Ordway, Scott J., 1984-
dc.date.accessioned	2009-03-06T02:08:34Z
dc.date.available	2009-03-06T02:08:34Z
dc.date.issued	2008-12
dc.description	1 score (x, 178 p.) A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.	en
dc.description.abstract	Symphony No.2, "Crime in the House of Names," is a forty-minute work for large orchestra in four movements. The final movement features a mezzo-soprano soloist who sings a setting of the poem "Herbsttag" ("Autumn Day") by Rainer Maria Rilke in a version that was freely adapted for music by the composer. While the symphony is not expressly programmatic, it is deeply philosophical in nature; it is an expression of the archetypal human themes of pain, loss, struggle, acceptance, and redemption.	en
dc.description.sponsorship	Adviser: Robert Kyr	en
dc.identifier.uri	https://hdl.handle.net/1794/8715
dc.language.iso	en_US	en
dc.publisher	University of Oregon	en
dc.relation.ispartofseries	University of Oregon theses, University of Oregon theses, School of Music and Dance, M. Mus., 2008;
dc.title	Symphony No.2, "Crime in the House of Names"	en
dc.type	Thesis	en

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