Poetics of Cross-Cultural Relation: Critical Performances by Artists kate-hers RHEE and Patty Chang

dc.contributor.authorLin, Jenny
dc.date.accessioned2023-07-26T00:03:11Z
dc.date.available2023-07-26T00:03:11Z
dc.date.issued2022
dc.description32 pagesen_US
dc.description.abstractThis article explores anti-racist, feminist performance and video art by kate-hers RHEE and Patty Chang. Parodic performances of awkward sexual encounters in works such as RHEE’s The Chocolate Kiss (2013) and Chang’s The Product Love (2009) embody and deconstruct identity formation within transnational German and Asian American contexts. I explore how RHEE and Chang distinctly challenge sexist and racist stereotypes and the objectification of Asian women, while problematizing cultural categorization through (mis)translations and poetic relations. The article illuminates how these artists complicate Asian American identities via variegated explorations of critical race theories and connected histories of cross-cultural representation.en_US
dc.identifier.citationLin, J. (2022). Poetics of Cross-Cultural Relation: Critical Performances by Artists kate-hers RHEE and Patty Chang. Konturen, 12, 96–127. https://doi.org/10.5399/uo/konturen.12.0.4917en_US
dc.identifier.doihttps://doi.org/10.5399/uo/konturen.12.0.4917
dc.identifier.urihttps://hdl.handle.net/1794/28576
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectanti-racismen_US
dc.subjectfeminismen_US
dc.subjectGerman and Asian American contexten_US
dc.titlePoetics of Cross-Cultural Relation: Critical Performances by Artists kate-hers RHEE and Patty Changen_US
dc.typeArticleen_US

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