[untitled]
| dc.contributor.author | Wurts, Alexander | |
| dc.date.accessioned | 2018-06-27T00:15:16Z | |
| dc.date.available | 2018-06-27T00:15:16Z | |
| dc.date.issued | 2018 | |
| dc.description | 15 pages | en_US |
| dc.description.abstract | For me, trying to reconcile the relationship between a digital image and the physical art-object is of specific importance and drives a lot of the questions I have about contemporary art practice. How do you negotiate the importance of the art-object when the thing that ultimately gets seen is the digital image? Why not cut to the chase and just make digital images? What then goes in the space of the gallery? Why does that matter? I don’t really have any answers to these questions, but they represent a kind of crisis that I’m trying to negotiate in my artistic practice. | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/23305 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Oregon | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.subject | Post-internet | en_US |
| dc.subject | Art objects | en_US |
| dc.subject | Digital images | en_US |
| dc.subject | Social media | en_US |
| dc.subject | Fine arts | en_US |
| dc.title | [untitled] | |
| dc.type | Terminal Project | en_US |