Keeping Narcissism at Bay: Kant and Schiller on the Sublime

dc.contributor.authorMathäs, Alexander
dc.date.accessioned2019-02-05T23:18:12Z
dc.date.available2019-02-05T23:18:12Z
dc.date.issued2010
dc.description25 pagesen_US
dc.description.abstractThis essay considers the sublime as a veiled form of narcissism. Both narcissism and the sublime test and reveal the limits of the concept of the self and both can be viewed as attempts to transcend the borders of the self. Yet while narcissism has been defined as a “failure of spiritual ascent” (Hadot), the sublime has been used to transcend the limitations of the self by pointing to its infinite potential. The essay explores how the sublime in Immanuel Kant’s and Friedrich Schiller’s aesthetics relies on narcissistic impulses by creating a male inner self and protecting it from the stigma of vanity. I propose that their use of this aesthetic category helped objectify an essentially subjectivist aesthetics. Yet while Schiller follows Kant in deriding the sensual aspects of human nature as egotistical and amoral, Schiller’s dramas also challenge some of the Kantian premises. When Schiller’s protagonists sacrifice lives in the service of ethical ideas, the sublime’s oppressive spirit reveals itself.en_US
dc.identifier.citationMathäs, A. (2010). Keeping Narcissism at Bay: Kant and Schiller on the Sublime. Konturen, 3(1), 19-44. doi:http://dx.doi.org/10.5399/uo/konturen.3.1.1371en_US
dc.identifier.doi10.5399/uo/konturen.3.1.1371
dc.identifier.issn1947-3796
dc.identifier.urihttps://hdl.handle.net/1794/24317
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.titleKeeping Narcissism at Bay: Kant and Schiller on the Sublimeen_US
dc.typeArticleen_US

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