RITUALS for Solo Electric Bass & Wind Ensemble
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Date
2024-12-19
Authors
Daley, James
Journal Title
Journal ISSN
Volume Title
Publisher
University of Oregon
Abstract
The purpose of this work is to synthesize various elements of mysticism, philosophy, and nature to reflect the inner struggle and difficulties that are inseparable from human existence. This is intended to show that the significance of our existence is highly ephemeral and microscopic within the immense scale of the universe. A work of this nature is important for many reasons but one central to my thesis is to contribute a meaningful work to the modern solo repertoire for bassists.Some of the techniques employed in “RITUALS” allow for a significantly more virtuosic level of expression, which effectively expands the capabilities of the bass as one might find in more pianistic styles of expression and phrasing. The four movements of this work combine several pre-existing musical styles and idioms in order to create a polystylistic fusion composition. Conceptually, this is a musical representation of mysticism in finding the common thread between all things we experience in life and nature. By incorporating these various styles and influences, it is my intent to ultimately challenge the soloist with a musical setting that requires a diverse skill set.
The use of slowly building layers of atmospheric musical textures that feature the use of swelling dynamics to emulate a breath-like aural effect are meant to represent the human spirit. Some of the musical textures include extended techniques such as (but not limited to) air noises, multi-phonics, singing while playing, key clicks, vocal noises,
etc.
Description
Keywords
contemporary, Electric bass concerto, fusion music, james p. daley, wind ensemble