CultureWork ; Vol. 16, No. 01
| dc.contributor.author | Fisher, Alyssa | |
| dc.contributor.editor | Voelker-Morris, Julie L. | |
| dc.contributor.editor | Voelker-Morris, Robert J., 1969- | |
| dc.date.accessioned | 2015-01-07T22:53:19Z | |
| dc.date.available | 2015-01-07T22:53:19Z | |
| dc.date.issued | 2012-01 | |
| dc.description | 6 pages | en_US |
| dc.description.abstract | This article documents and explores the emerging trend of music festivals that are incorporating transmedia narratives into their programming. I will provide an overview and documentation of three case study festivals: Midpoint Music Festival in Cincinnati, Ohio, Treasure Island Music Festival, in San Francisco, California, and South by Southwest, a music, film and interactive media festival in Austin, Texas, the trends that emerge among them, and the place of a transmedia festival in a wider culture of media-consumer interaction. | en_US |
| dc.identifier.issn | 1541-938X | |
| dc.identifier.uri | https://hdl.handle.net/1794/18684 | |
| dc.language.iso | en_US | en_US |
| dc.publisher | Institute for Community Arts Studies, Arts & Administration Program, University of Oregon | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.subject | CultureWork | |
| dc.title | CultureWork ; Vol. 16, No. 01 | en_US |
| dc.title.alternative | Transcending the Music Festival: A Look into an Adoption of Transmedia | en_US |
| dc.type | Article | en_US |