Borges: Time, Modernity, and Nostalgia in Evaristo Carriego
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Date
2016-06
Authors
Hamilton, Felicia
Journal Title
Journal ISSN
Volume Title
Publisher
University of Oregon
Abstract
What is the purpose of nostalgia in literature? How does it respond to
modernity? And what is its function as a temporal tool? These are the driving questions
behind my research, which will focus on Evaristo Carriego, an early work by Argentine
author Jorge Luis Borges. This eponymous biographical work serves more to paint a
picture of Buenos Aires in development than to chronicle the life of the man himself.
Borges uses popular and historical mythologies to construct a mythic image of the
neighborhood Palermo during the early twentieth century. Because of this, the work is
often read as a "pre-text", that is, a history that the rest of Borges' writings would
reference. I aim to build on this, examining how this particular work creates
counternarratives to modernity. I propose an interconnectedness of time, modernity, and
nostalgia which enriches an understanding of Carriego through an analysis of Borges'
methods of constructing literary worlds in which there are multiplicities of dissonant
and converging iterations of time. Beyond simply reading and explaining Carri ego as a
pre-text, I hope to draw broader conclusions about the impact of various iterations of
time in a modern and postmodern culture.
Description
73 pages. A thesis presented to the Department of Romance Languages and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Spring 2016.
Keywords
Literature, Borges, Modernity, Alternate timelines, Evaristo Carriego, Buenos Aires, Argentinian literature