Sensuous Devotion as the Site of Spiritual Crisis in Wilfred Owen

dc.contributor.authorVance, Robyn
dc.date.accessioned2015-08-13T17:56:13Z
dc.date.available2015-08-13T17:56:13Z
dc.date.issued2015-03
dc.description56 pages. A thesis presented to the Department of English and the Clark Honors College of the University of Oregon in partial fulfillment of the requirements for degree of Bachelor of Arts, Winter 2015.en_US
dc.description.abstractThis thesis explores moments at which the spiritual crisis of World War I poet Wilfred Owen is connected to his use to sensuous language and imagery. Scholars have offered conflicting interpretations of Owen’s relationship to the Christian faith of his upbringing and his broader spiritual outlook. I argue that Owen’s war experience devastated his ability to perceive spiritual meaning, but that through the use of sensuous language to elegize the bodies of soldiers at the moment of their deaths, Owen creates a space in which the human body appears sacred even as spiritual faith is impossible. In Chapter 1, find the origins of this idea in Owen’s devotion to the sensuous Romantic poet John Keats in his early letters and poetry. In Chapter 2, I explore the implications of this spiritual crisis, and, in Chapter 3, I provide close readings of the war poems “Insensibility,” “Futility,” and, “I Saw His Mouth’s Round Crimson.”en_US
dc.identifier.urihttps://hdl.handle.net/1794/19104
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectEnglishen_US
dc.subjectWilfred Owenen_US
dc.subjectJohn Keatsen_US
dc.subjectPoetryen_US
dc.subjectWorld War Ien_US
dc.subjectRomanticismen_US
dc.subjectEroticismen_US
dc.titleSensuous Devotion as the Site of Spiritual Crisis in Wilfred Owenen_US
dc.typeThesis / Dissertationen_US

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