A World in Print; Foreigners in Japan's Early Modern Bankoku Jinbutsu-Zu

dc.contributor.advisorWalley, Akiko
dc.contributor.authorParman, Alison
dc.date.accessioned2016-10-27T18:58:26Z
dc.date.available2016-10-27T18:58:26Z
dc.date.issued2016-10-27
dc.description.abstractJapanese woodblock prints featuring foreigners that appeared after the opening of ports such as Yokohama to international trade in the mid-nineteenth century are broadly referred to as Yokohama-e (or “Yokohama Pictures”). While there are already seminal studies that document the representation of Western peoples in Yokohama-e, those of Asian peoples have not yet received equal attention. This thesis focuses on a group of prints that include the word “all nations” (bankoku) in their titles, particularly those of Utagawa Yoshiiku. Although these prints are currently considered a type of Yokohama-e, they are distinctively different from typical Yokohama-e in their scope, particularly in its inclusion of many Asian and mythical peoples. This study investigates how this group of “pictures of the peoples of all nations” (bankoku jinbutsu-zu) functioned as popular guides to the nations of the world and reflected the domestic new awareness for Japan’s role within it.en_US
dc.identifier.urihttps://hdl.handle.net/1794/20555
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsAll Rights Reserved.
dc.subjectBankokuen_US
dc.subjectBankoku jinbutsu-zuen_US
dc.subjectJapanese woodblock printsen_US
dc.subjectUtagawa Yoshiikuen_US
dc.subjectYokohama-een_US
dc.titleA World in Print; Foreigners in Japan's Early Modern Bankoku Jinbutsu-Zu
dc.typeElectronic Thesis or Dissertation
thesis.degree.disciplineDepartment of the History of Art and Architecture
thesis.degree.grantorUniversity of Oregon
thesis.degree.levelmasters
thesis.degree.nameM.A.

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