"I'm Not a Rapper, I'm an Activist Who Rhymes": Native American Hip Hop, Activism, and Twenty-First Century Identities

dc.contributor.advisorWheeler, Elizabeth
dc.contributor.authorEngland, Megan
dc.date.accessioned2016-10-27T18:49:12Z
dc.date.available2016-10-27T18:49:12Z
dc.date.issued2016-10-27
dc.description.abstractIn this thesis, I examine the ways in which a growing number of Indigenous artists in the United States and Canada are using hip hop not only as a form of artistic expression, but also to vent frustration about and to draw attention to contemporary issues affecting their communities. These artists participate in a tradition of politically conscious performance that has influenced and been influenced by Indigenous social movements across North America. Indigenous hip hop serves to affirm and redefine twenty-first century Indigenous identities, disrupting and reinterpreting stereotypical representations of Native Americans in a process which I describe as an “authenticity loop.” By utilizing artistic choices and strategic representations of indigeneity, the artists I examine have firmly established that they along with their communities are not remnants of the past, even as they maintain a continuity between previous generations and the present day.en_US
dc.identifier.urihttps://hdl.handle.net/1794/20512
dc.language.isoen_US
dc.publisherUniversity of Oregon
dc.rightsAll Rights Reserved.
dc.subjectHip hopen_US
dc.subjectPopular cultureen_US
dc.subjectSocial protesten_US
dc.title"I'm Not a Rapper, I'm an Activist Who Rhymes": Native American Hip Hop, Activism, and Twenty-First Century Identities
dc.typeElectronic Thesis or Dissertation
thesis.degree.disciplineDepartment of English
thesis.degree.grantorUniversity of Oregon
thesis.degree.levelmasters
thesis.degree.nameM.A.

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