Abjektion und Metamorphose - Metamorphose und Abjektion: Verekelungbilder des Weiblichen in zeitgenössicher österreichischer Literatur

dc.contributor.advisorOstmeier, Dorotheeen_US
dc.contributor.authorBaumeister, Anna-Lisaen_US
dc.creatorBaumeister, Anna-Lisaen_US
dc.date.accessioned2012-10-26T04:07:24Z
dc.date.available2014-12-29T21:12:31Z
dc.date.issued2012
dc.description.abstractIn this thesis, I examine the figure of the “disgusting woman” in contemporary Austrian literature. I begin by developing a theoretical orientation to disgust and the disgusting woman, drawing from works by Winfried Menninghaus, Julia Kristeva, Judith Butler, and Theodor Adorno. Next, I use this theoretical framework to interpret three prominent texts of contemporary Austrian literature: Barbara Frischmuth’s “Otter,” Christoph Ransmayr’s Die letzte Welt, and Elfriede Jelinek’s Die Klavierspielerin. Ultimately, my analysis yields three compelling insights. First, through literary interpretation, disgust can be shown to operate at a cultural level to exclude and oppress women. Second, literary texts can describe and reveal, in a way purely theoretical works cannot, the visceral, embodied effects of disgust on human subjects—and on women in particular. Finally, and more optimistically, many of those cultural practices which exclude and oppress women might be transformed through critical engagement with the phenomenon of disgust.en_US
dc.description.embargo10000-01-01
dc.identifier.urihttps://hdl.handle.net/1794/12457
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectAbjektionen_US
dc.subjectEkelen_US
dc.subjectGenderen_US
dc.subjectösterreichische Literaturen_US
dc.titleAbjektion und Metamorphose - Metamorphose und Abjektion: Verekelungbilder des Weiblichen in zeitgenössicher österreichischer Literaturen_US
dc.typeElectronic Thesis or Dissertationen_US

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