SPEAKING DIRECTLY: SOME AMERICAN NOTES, LAST CHANTS FOR A SLOW DANCE (DEAD END), CHAMELEON: A STUDY OF THREE FILMS BY JON JOST

dc.contributor.authorTeague, Tucker A.
dc.date.accessioned2021-08-31T23:40:51Z
dc.date.available2021-08-31T23:40:51Z
dc.date.issued1993-06
dc.description145 pagesen_US
dc.description.abstractThe following paper concerns three early feature length films by the independent filmmaker Jon Jost. These films are Speaking Directly: Some American Notes (1974), Last Chants for a Slow Dance (Dead End) (1977), and Chameleon (1978). In its broadest sense this thesis is an attempt to define certain trends in Jost's early filmmaking career with the hope that a better understanding of his work can be developed. Each film is examined separately in detail and compared with the other two films. More specifically, each film is examined in regard to the philosophical and aesthetic movements of Romanticism and Realism.en_US
dc.identifier.urihttps://hdl.handle.net/1794/26603
dc.language.isoenen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectFilm studiesen_US
dc.subjectCriticismen_US
dc.subjectJon Josten_US
dc.titleSPEAKING DIRECTLY: SOME AMERICAN NOTES, LAST CHANTS FOR A SLOW DANCE (DEAD END), CHAMELEON: A STUDY OF THREE FILMS BY JON JOSTen_US
dc.typeThesis / Dissertationen_US

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