Machines of Loving Grace

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dc.contributor.authorTaylor, Noa
dc.date.accessioned2024-06-14T19:36:32Z
dc.date.available2024-06-14T19:36:32Z
dc.date.issued2024
dc.description25 page document, 9 minute 59 second videoen_US
dc.description.abstractThis terminal creative project report is the written accompaniment to the art exhibition Machines of Loving Grace, originally installed at Ditch Projects in Springfield, Oregon in May 2024. As such, it examines the contexts and implications behind the work and the media it contains. At its core, Machines of Loving Grace recreates and reexamines Crash, a 1996 David Cronenberg film based on the 1973 novel by J.G. Ballard. The goal of this introduction is therefore threefold. Firstly, to give the reader a basic understanding of Crash, in terms of plot line and thematics. Secondly, to outline how Crash has been integrated into broader visual culture, focusing on its popular, artistic, and theoretical seepage. Finally, to answer the question of why Crash deserves revisitation, especially within a queer context, given that it has already been rehashed several times in the fifty years since its publication.en_US
dc.identifier.urihttps://hdl.handle.net/1794/29515
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectcrashen_US
dc.subjectvisual arten_US
dc.subjectexhibitionen_US
dc.titleMachines of Loving Graceen_US
dc.typeTerminal Projecten_US

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Master of Fine Arts Terminal Project Reports