“All Surface and No Soul”: John Singer Sargent’s Portraits of Modern Mannequins
| dc.contributor.author | Jones, Katelyn | |
| dc.date.accessioned | 2020-08-25T19:25:24Z | |
| dc.date.available | 2020-08-25T19:25:24Z | |
| dc.date.issued | 2020 | |
| dc.description | 40 pages | en_US |
| dc.identifier.uri | https://hdl.handle.net/1794/25564 | |
| dc.language.iso | en | en_US |
| dc.publisher | University of Oregon | en_US |
| dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
| dc.subject | John Singer Sargeant | en_US |
| dc.subject | portraits of women | en_US |
| dc.subject | Women in art | en_US |
| dc.subject | Gender identity | en_US |
| dc.subject | Art criticism | en_US |
| dc.title | “All Surface and No Soul”: John Singer Sargent’s Portraits of Modern Mannequins | en_US |
| dc.type | Thesis / Dissertation | en_US |