Dance as Literary Criticism: Literary Analysis and Dramaturgy in a Dance Theatre Choreographic Process

dc.contributor.advisorCraig, Jeniferen_US
dc.contributor.authorWinchester, Rachelen_US
dc.date.accessioned2014-09-29T17:44:58Z
dc.date.available2014-09-29T17:44:58Z
dc.date.issued2014-09-29
dc.description.abstractIn my research into interdisciplinary choreographic processes, I found there to be a lacking representation of recent scholarship dedicated to exploring the relationship between literature and dance. As a dance theatre choreographer who often utilizes textual sources as impetuses for artistic creation, I have employed methods of traditional dramaturgy in my practice and, in seeking scholarship on this subject, have noted a need for clear examples of dance dramaturgy in practice. In this thesis study, I employed methods from literary studies and dramaturgy in the process of adapting a work of short fiction by Kurt Vonnegut for the stage. I documented my process and have structured the information for the benefit of those who may read it. The artistic product of this research was presented to an audience in direct relation to its literary source. At the conclusion of this research, I posit that dance can function as literary criticism.en_US
dc.identifier.urihttps://hdl.handle.net/1794/18356
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectDanceen_US
dc.subjectDramaturgyen_US
dc.subjectLiteratureen_US
dc.subjectMFAen_US
dc.subjectThesisen_US
dc.subjectVonneguten_US
dc.titleDance as Literary Criticism: Literary Analysis and Dramaturgy in a Dance Theatre Choreographic Processen_US
dc.typeElectronic Thesis or Dissertationen_US
thesis.degree.disciplineDepartment of Danceen_US
thesis.degree.grantorUniversity of Oregonen_US
thesis.degree.levelmastersen_US
thesis.degree.nameM.F.A.en_US

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