dc.contributor.advisor	Warren, Tyrras
dc.contributor.author	Lee, Chloe
dc.date.accessioned	2024-08-30T19:22:57Z
dc.date.available	2024-08-30T19:22:57Z
dc.date.issued	2024
dc.description	60 pages
dc.description.abstract	This thesis explores the usage of comic panel and page transitions to investigate fluid shifts in internal perceptions of time and space. Through a research-based analysis of comic compositional strategies and discussion of technical methodologies in crafting digital comics, comic studies are approached with both conceptual and process-based considerations, exploring how the medium allows for unconventional and intimate visualizations of the relativity of time. It also extensively discusses my comic, unravel, through a vulnerable analysis that seeks to investigate how comic theory is actively applied to creative works to manipulate the temporal beat of a narrative. Finally, in implementing interactivity as part of the intended viewer experience, this thesis creates a cyclical reading experience where opportunities for the viewer’s narrative perception are left as ambiguous as the time and space of the comic itself, crossing boundaries from the purely digital into an experiential mode of communication.	en_US
dc.identifier.orcid	0009-0005-4341-3088
dc.identifier.uri	https://hdl.handle.net/1794/29966
dc.language.iso	en_US
dc.publisher	University of Oregon
dc.rights	CC BY-NC-ND 4.0
dc.subject	Comic studies	en_US
dc.subject	Art & technology	en_US
dc.subject	Negative space	en_US
dc.subject	Digital art	en_US
dc.subject	Memory and time	en_US
dc.title	Spaces Between: Navigating Time and Memory Through Comic Paneling
dc.type	Thesis/Dissertation

Spaces Between: Navigating Time and Memory Through Comic Paneling

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