Making After Melancholia

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dc.contributor.authorImatani, Garrick
dc.contributor.authorCenter for Art Research, University of Oregon
dc.date.accessioned2023-02-14T00:04:56Z
dc.date.available2023-02-14T00:04:56Z
dc.date.issued2021
dc.description1 pageen_US
dc.description.abstractThis public conversation was held on April 18, 2021 in conjunction with Garrick Imatani’s CFAR exhibition, monologue. The artists discussed the nuanced ways in which their identity figures into their work—looking at compounded layers of representation, cultural expectation vs. lived experience, and the futurist contexts in which their work as Asian American makers might be seen in the midst of increased national violence. The following excerpts have been edited for clarity, length and readability.en_US
dc.identifier.urihttps://hdl.handle.net/1794/27975
dc.language.isoenen_US
dc.rightsCreative Commons BY-NC-ND 4.0-USen_US
dc.subjectConversationen_US
dc.subjectMonologueen_US
dc.subjectExhibitionen_US
dc.subjectIdentityen_US
dc.subjectAsian Americanen_US
dc.titleMaking After Melancholiaen_US
dc.typeOtheren_US

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