Authenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting through the Works of Zhang Daqian

dc.contributor.advisorLin, Jennyen_US
dc.contributor.authorMenton, Saraen_US
dc.date.accessioned2014-06-17T19:44:12Z
dc.date.available2014-06-17T19:44:12Z
dc.date.issued2014-06-17
dc.description.abstractThis thesis examines conflicting attitudes regarding artistic authenticity and differing approaches to connoisseurship vis-à-vis the field of Chinese art and its reception in Europe and North America. Although this thesis examines both Chinese and Western approaches to the copy and highlights different cultural methods, this is not a Chinese versus the West argument. This thesis displays how concepts are combined in the Western art field to reach differing conclusions about a painting's authenticity. Specifically, this thesis analyzes the art of Chinese painter Zhang Daqian (1899-1983) and the debate surrounding Along the Riverbank, a painting in the Metropolitan Museum of Art's collection attributed to 10th century Chinese painter Dong Yuan (c. 934-c. 962). Many believe this painting is one of Zhang's forgeries. The controversies surrounding Zhang's art and forgeries reveal diverging conceptions of art education and methods of determining authenticity and the complexities of evaluating Chinese art in non-Chinese academic contexts.en_US
dc.identifier.urihttps://hdl.handle.net/1794/17918
dc.language.isoen_USen_US
dc.publisherUniversity of Oregonen_US
dc.rightsAll Rights Reserved.en_US
dc.subjectAlong the Riverbanken_US
dc.subjectArt historyen_US
dc.subjectChinaen_US
dc.subjectConnoisseurshipen_US
dc.subjectZhang Daqianen_US
dc.titleAuthenticity and the Copy: Analyzing Western Connoisseurship of Chinese Painting through the Works of Zhang Daqianen_US
dc.typeElectronic Thesis or Dissertationen_US
thesis.degree.disciplineInterdisciplinary Studies Program: Asian Studiesen_US
thesis.degree.grantorUniversity of Oregonen_US
thesis.degree.levelmastersen_US
thesis.degree.nameM.A.en_US

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