<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-18T17:12:55Z</responseDate><request verb="GetRecord" identifier="oai:scholarsbank.uoregon.edu:1794/31836" metadataPrefix="dim">https://scholarsbank.uoregon.edu/server/oai/request</request><GetRecord><record><header><identifier>oai:scholarsbank.uoregon.edu:1794/31836</identifier><datestamp>2025-11-13T08:00:26Z</datestamp><setSpec>com_1794_7557</setSpec><setSpec>com_1794_7555</setSpec><setSpec>com_1794_7552</setSpec><setSpec>col_1794_169</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="advisor">Bishop, Louise M.</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author" authority="68ee57c3-249b-40ac-a306-7ef6bd04ccf4">Stover, Stephanie Leigh</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2025-11-12T16:26:11Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued">1993</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/1794/31836</dim:field>
   <dim:field mdschema="dc" element="description">109 pages.</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">The Prioress&amp;apos;s contrasting depictions in the &amp;quot;General Prologue&amp;quot; and &amp;quot;The Prioress&amp;apos;s Tale&amp;quot; maintain a reputation for ambiguity and poetic irony. Historical evidence and a closer reading of Chaucer&amp;apos;s text suggest that critical analyses of the Prioress&amp;apos;s portrait and tale have neglected to consider the role of Chaucer the pilgrim and his representation of Madame Eglentyne. Exploring the narrator&amp;apos;s role in painting Madame Eglentyne provides the audience with a greater comprehension of the Prioress and her spiritual circumstance.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso">en_US</dim:field>
   <dim:field mdschema="dc" element="publisher">University of Oregon</dim:field>
   <dim:field mdschema="dc" element="rights">Creative Commons BY-NC-ND 4.0-US</dim:field>
   <dim:field mdschema="dc" element="rights">UO theses and dissertations are provided for research and educational purposes and may be under copyright by the author or the author’s heirs. Please contact scholars@uoregon.edu with any questions or comments. In your email, be sure to include the URL and title of the specific items that you are inquiring about.</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Nunnery</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Historical background</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Prioress&amp;apos;s portrait</dim:field>
   <dim:field mdschema="dc" element="title">Get Thee To A Nunnery: Rehabilitating Chaucer&amp;apos;s Prioress</dim:field>
   <dim:field mdschema="dc" element="type">Dissertation or thesis</dim:field>open.access</dim:dim></metadata></record></GetRecord></OAI-PMH>